Do You Have Art On Your Walls?
“Collectors are happy people”~ Johann Wolfgang von Goethe
Do you remember art in your home when you were a child? Did it inspire you or fascinate you?
Do you believe art is important to have in your home?
Are you intimidated when going into an art gallery?
How often do you go to an art museum?
Would you ever consider commissioning an artist to create a work of art for you? What would it be of?
When you go to someone’s home and the owner has quite a collection what do you think? How does the home make you feel?
Do you know what type of art you prefer?
Do you own a favorite piece of art? Why is it your favorite?
Have you inherited a work of art?
How do you think having art in the home affects your children?
Are you a collector? How did your collecting start?
Do you believe purchasing art is a good investment?
Have you ever furnished a room around a piece of art?
Has a work of art ever made you cry?
Do you buy art from the heart or the head?
*Above painting a commissioned piece "Lion's Gate Garden" 36" X 36", oil on museum wrapped canvas. For commissions please contact me at (408) 460-7237 or jvander51@msn.com
*ART20K footage completed 10,996 square inches
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
Commissions Suit Me
Commissions suit me. They set limits. ~Jean Cocteau
I know to some artist’s commissions are a nightmare, but I love them. I love to problem solve and figure out a way to create a piece that makes us both happy. The customer’s input always inspires me and widens my vision.
Recently, I finished a commission to paint a garden. Due to logistics, I had my customer take photos for reference. Currently, she wanted a smaller painting 16” X 20” and later suggested that I do a larger one.
The secret to doing a successful commission is to take a lot of photos and preferably when the sun is in the early morning or later afternoon. Taking photos at noon or close to noon will create harsh light, unnecessary shadows and distort the photos.
Next, I drew a black and white sketch for her approval, as seen below. I will usually edit the photo to help the composition and color. I focused on the stool as the focal point, creating a triangular composition and juxtaposing the stool. We then decided on the size, canvas or paper, museum wrapped or standard canvas, oil or acrylic, a warmer or cooler painting and what she would love to see. Creating became a team effort, allowing me room for my own creativity to emerge; a perfect match.
It must be that time of the year; I have another commission as well to paint a garden. Why don’t you allow me to paint your garden, savoring your memory, as my customer did? “I especially loved the garden stool. It is so well done. I sit there every morning and now I will always have this painting to remind me of my lovely beginnings to my days.” Now that is special and it makes me feel very good to bring joy to others through my paintings.
For commissions information contact me @ jvander51@msn.com or cell (408) 460-7237.
*ART20K footage completed 9700 square inches
Happiness Project
Less is more~Ludwig Mies van der Rohe
“Happiness project” was a new adventure for me, painting a much larger painting than usual, (48” X 48”) and also have the under-painting be entirely bright red. For some reason the red under-painting made the canvas feel larger. Trying to have control in this unfamiliar setting was even more difficult.
I am definitely not a minimalist in a classic way, but when painting I like to use my teacher’s guideline, “when it says what it is there is no need to say more”.
Leaving bits and pieces of the red underpainting created a glow, especially when a transparent hue was used. When taking a photograph, the reflection of the red under-painting vibrated, that is why I took a video of the detail to give you a better view of the color and value.
I was concerned about painting the red out. I found myself asking the question “When is the painting finished?” That one extra stroke can put it over the edge.
When do you think the painting is finished? Have you ever gone to far?
[youtube]http://www.youtube.com/watch?v=Wq89E-TSZ-s[/youtube]
*ART20K footage completed 9380 square inches.
*Painting "Happiness Project" measures 48" X 48", oil on museum wrapped canvas, price $5760.
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
Vulnerability And The Big Challenge
36" x 48", acrylic on museum wrapped canvas
“Armed I am with love. Disarmed I am.”
― Manuel Alegre
Tomorrow I am going to speak about my #paint52 project for Alyson B Stanfield’s Art Biz Incubation group. I have taken three of her workshops and been so pleased with the outcome and her standard of quality in anything she offers.
Our topic will be on committing to doing a “big project”. Doing two big projects in a row #paint52 and now Art20K has pushed me in many ways, just due to its natural progression and momentum. I don’t want to elaborate for I will be talking about it tomorrow. But, let’s just say talking in front of a group is pretty "big" for me.
The painting above was also out of my comfort zone. I did something totally unpredictable and unexpected for me. It felt very uncomfortable. I posted it on Facebook and many people enjoyed the painting. I could have left it as is, but I needed to push myself further, even if it was a disaster. I could risk and perhaps still did ruin the painting. Yet, the only way I learn and grow is to push myself.
Now what does doing big projects, talking to Alyson’s group and my painting has in common. I guess first of all I am putting myself in a vulnerable situation. I risk failing. In the end I have to be all right with it not being perfect, exposing who I am and realizing I am still good enough. Isn’t that always the bottom line, “Am I good enough”?
What risk are you afraid to take and why?
*ART20K footage completed 6996 square inches.
*Painting above, Title: “Delicate Vulnerability", measures 36″ x 48″, Acrylic on museum wrapped canvas (no need for framing), Price $4320
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
The Colorist and Crayola Crayons
“Artists are just children who refuse to put down their crayons.” Al Hirschfeld
Only 3 years old, I have fond memories of my mother bringing a fresh box of 48 Crayola Crayons home to our barracks in the Aleutian Islands -Adak, Alaska. Little did I know that it was such an influence in my creative life? I would analyze each color, the milky color of apricot, complimenting the silvery periwinkle and perfect combination with magenta. The combinations were endless and I was determined to explore as many as I could create.
I do remember my first coloring, a pig, with the famous Carnation Pink. I don’t think I cared about the pig as much as seeing the beauty of the luscious pink. Is this my imagination? Could a three year old have experienced such intensity?
My first day in Kindergarten I was handed a box of 8 crayons. My first thought was “where is my box of 48? How could I possibly create anything with these primary colors?” I remember asking my teacher if I could bring my own crayons. “Of course, Janet if you can bring them for the entire class to share”. Well that ended that. I had to learn new ways to compensate, outlining in black, which soon changed because the teacher thought I was depressed. Then I would outline the inside of the object and color it different colors or layer colors.
Today I relate to the crayon colors similarities to my oil paints, bittersweet becomes Quinacridone Burnt Sienna combined with white, midnight blue now the famous Prussian Blue, Brick red similar to Indian Red and Magenta close to Permanent Rose.
Crayola Crayons simply prepared my sensibility to color. Could it even of affected me at a neurological level, as described in the book, "The Talent Code" by Daniel Coyle?
Color is my first love and as I have always said, "Without color I wouldn't paint".
*ART20K footage completed 5268 square inches.
*Painting above, Title: "A View From The 18th Hole", measures 36″ x 48", Oil on museum wrapped canvas (no need for framing), Price $4320
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!