Twitter Followers #paint52
I was enticed to paint this painting reflecting the common people, people in our everyday life, such a variety, all unique and distinct. But there was also something "sheepish" about how they were marching all in a row, making sure they kept their appropriate space from the person in front or behind. Some seemed conscious, while others were definitely not present. They almost seemed to be marching, and marching, where? Where are they going? Are we caught following others, sometimes forgetting our own journey or perhaps following others dreams not our own? Or just caught in our daily life routines, one day the same as the next, just out of habit. Can we wake up and enjoy our surroundings?
This is painting thirteen of my #paint52 Challenge and another painting for my San Francisco series. "Twitter Followers" measures 24" X 48", oil on linen.
Thanks again for all your support following my challenge and especially when you leave a comment. I so appreciate it.
Do You Dare?
Have ever wondered where your painting was going? I have put myself in such an odd situation with this painting and a lot of firsts. So many that I didn’t know where or what was going to happen next. First of all, painting a red under-painting, with green being the dominat color, created a very narrow bridge for me to walk on. That’s what happens when you take risks. I guess a risk is a risk when you don’t know what is going to happen. Trusting or maybe best of all having no attachment to the outcome is a better choice. This gives me the freedom to not have it turn out or be “right”. My process in this painting is one stroke at a time and the relationship to the last stroke or it’s surroundings. I believe I will reach a point where I won’t be lead but will lead, but right now I have to follow. As my son Blake would say at the end of every movie “to be continued”.
California Here I Come #paint52
When I was nine, I had to move to France after my father died. Not only did I lose my father, but I had to leave my home, my friends and my country. My mother was French and wanted to go back home to her family, but I was brought up in the U.S., and wanted to stay in my beloved country. My mother had a change of heart and returned back to the U.S. five months later. I remember singing to myself on the flight home, "California Here I Come". For some reason this painting reminded me of this, the man in the orange shirt looking like he came from another state for sure and the various ethnic people, combines to make what San Francisco and our country is all about, a melting pot of the world. By the way the location of this painting is California Street.
The painting has an ultramarine blue underpainting. I knew right off the bat this was going to create some difficulties, yet I didn't know how hard it was going to be until I got started. I am determined to push myself in this challenge and try things I never have done before. Most artists would say that the man's orange shirt is too bright and would dominate the painting, but that was the reason why I painted this painting. How bright could I make his shirt and still have the viewers eye move around the canvas. I also wanted it to vibrate in color. which I do believe it does. At first I thought I would start laying in the painting without a drawing, but it was too big and too much going on. Since the color was so dark, I had to use chalk; see image below.
I am finding that I am allowing my "Making Faces" characters come to life in my paintings. I am throughly enjoying this and loving the little stories that each one bring. I have been so fortunate to have had great training on the body, for 4 years from George De Groat my teacher in my early years as an artist. He was a genius. This is my tenth painting of my #paint52 challenge, painted in oil, measures 24" X 48" and another addition to my San Francisco series.
Thank you so much again, for supporting me in this challenge it means the world to me.
Bahu-#paint52
It was an overcast day like so many days in San Francisco, creating a melancholy backdrop for this scene. On one of the side streets of downtown Chinatown, I noticed a man playing an instrument I had never seen before. I wondered, how did he arrive in this country and did he at one time play this instrument, which I believe is called a Banhu, for his people in China? He seemed to be hiding from everyone in the corner, as if he wanted to be left alone to play his string instrument. He was wearing a tie, bringing some formality to the occasion, contrasted by his broken down cart containing a small box for change and an old umbrella. It was a somber setting and I hoped I captured the moment.
This is my eighth painting, measures 12” X 15”, Atelier Interactive Acrylic on velum, for my #paint52 Challenge. This also an addition for my San Francisco Series, that I plan on having an art show in the spring. The under-painting is red, which helped to liven the somber scene. I guess I can’t go totally grey, just isn’t my nature. I’m really enjoying painting with the acrylics loving the strokes, but I feel the next one I need to push myself further, more abstract, looser and full of texture. I sense I need to explore.
Thanks again, I really appreciate you sharing my journey to paint 52 paintings in one year.
Magical Mystery Tour #paint52
Hop on the bus for the "Magical Mystery Tour". This is my sixth painting for the #paint52 challenge and also another addition to my San Francisco series. The painting measures 18" X 24" and the medium is Atelier Interactive Acrylic. It’s great that I can accomplish two goals at the same time, one to paint 52 paintings for the year of 2012 and second to acquire a body of work for an art show on my San Francisco series. The painting is underpainted with red and I noticed the red seems to vibrate, showing a glow when photographed. This painting was a challenge, due to the size of the bus taking most of the background and also a bright blue. I didn’t want to overdo painting the bus; it is a focal point, yet I also wanted the person walking towards us to be the focal point, as well. I guess you can have the “push pull” effect with objects, as well as color. The people on the sides were laid in simply, almost framing the focal points. I may do more way later, but now I must put it aside and start on another painting.
This #paint52 journey is magical, as well as a mystery. It is a mystery, a leap of faith to paint so many paintings in one year, not knowing what the end of the year will bring as a result of this venture. It has been magical, because it has already been very healing to be painting regularly. The more I paint the more I want to paint. It is filling my soul and I feel alive again.
Thank you for following my journey.