I Did It!
"Discipline is the bridge between goals and accomplishments."~Jim Rohn
Yes, I did it! I completed my Art20k challenge to paint 20,000 square inches for the year 2013. My actual total for this year is 20,262 square inches. Last year, I painted over 15,000 and added 5,000 more for this year. I'm glad I did and I plan on painting more next year, but I will tell you more about my new challenge January 2014.
Having two goals back to back instills discipline.
What was difficult for me in the past has now become part of my life.
I am building a wonderful body of work.
My subject matter and style is becoming more refined.
I realize that this is becoming part of a bigger goal, part of my 5 year plan.
Goals help me stay on course and definitely see growth.
Art20K has helped me stay focused.
Having a measurable goal, an attainable, relevant and trackable goal, has made it very rewarding.
Making this goal public has given me reinforcement and encouragement.
An effective goal spills over to many parts of your life, it changes you.
I have risen from I can't do it to "I Did It".
I feel unstoppable.
I want to thank you all for your continued support. It wouldn't be the same without you. I realize that I need my community to help me continue my goals. A goal unshared becomes a meaningless goal. It is with much gratitude that I am able to share with you. Thank you!
[gravityform id="4" name="Purchase Original" title="false" description="false"] Painting above, "No Parking in Chinatown" measures 24" x 36' acrylic and oil on museum wrapped canvas $2160.00
*ART20K footage completed square inches 19398
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
Happiness Project
Less is more~Ludwig Mies van der Rohe
“Happiness project” was a new adventure for me, painting a much larger painting than usual, (48” X 48”) and also have the under-painting be entirely bright red. For some reason the red under-painting made the canvas feel larger. Trying to have control in this unfamiliar setting was even more difficult.
I am definitely not a minimalist in a classic way, but when painting I like to use my teacher’s guideline, “when it says what it is there is no need to say more”.
Leaving bits and pieces of the red underpainting created a glow, especially when a transparent hue was used. When taking a photograph, the reflection of the red under-painting vibrated, that is why I took a video of the detail to give you a better view of the color and value.
I was concerned about painting the red out. I found myself asking the question “When is the painting finished?” That one extra stroke can put it over the edge.
When do you think the painting is finished? Have you ever gone to far?
[youtube]http://www.youtube.com/watch?v=Wq89E-TSZ-s[/youtube]
*ART20K footage completed 9380 square inches.
*Painting "Happiness Project" measures 48" X 48", oil on museum wrapped canvas, price $5760.
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
Three Colors and a Pusher
"Working with a limited palette of elements leaves a designer nowhere to hide." ~Michael Bierut
Could this be the same for the Art World?
Ken Auster says, “When using a limited palette you solve most of your problems. You can’t mix the wrong color, although you may put it in the wrong place.”
Preferring my many colors to choose from, including Quinacridone Magenta, Green Gold, Quinacridone Burnt Orange, et cetera, et cetera, it was quite a discipline to paint the above painting with only three colors, Alizarin Crimson, Ultramarine Blue, and Cadmium Yellow Light. Also, added were Ivory Black, Titanium White and the pusher color Cadmium Red.
Ken Auster was correct in saying that you can’t make a bad color when mixing these colors together. Even though mud is made, focusing on edges and correct placement, the palette will be in perfect harmony.
A beginner would do well to paint with a limited pallet, especially when you add composition, stroke and value into the mix. Notice no neutrals are used, except the grey from black and white. Using neutrals when beginning isn't necessary, since most of the time a beginner will make plenty of them on their own. Avoiding neutrals will limit the chance of the painting turning into complete mud.
Almost every color can be made with the three above colors, except Cadmium Red. Cadmium Red cannot be made. I used Cadmium Red for the pusher color. Since it is a bright it is a great color to be used for the focal point.
Another wonderful palette you can try is; Indian Yellow (preferably Daniel Smith’s brand), Permanent Rose and Thalo Turquoise, plus black and white. The pusher color could then be Mediterranean Blue. This palette is great for a cooler painting. Ivory Black and Titanium White are added to create the neutrals. They make the most wonderful opalescent colors.
Do you have a favorite limited palette you would like to share?
This is my forty-first painting of my #paint52 challenge, medium Oil on vellum, measures 14" x 20″ price $795.00 plus Shipping and Handling.
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
Is Your Ladder Against the Wrong Wall?
Joseph Campbell says, “The definition of middle age is, when you are at the top of the ladder, and found that it's against the wrong wall”. How can we prevent this from happening?
Throughout my life I wanted to become an artist. Twenty years old, waiting in line to sign up for Speech Pathology and Audiology classes, I already knew that I didn’t want to follow this path. There were many reasons why I didn’t major in art, one it wasn’t practical, two I thought I had to have a special gift, three I had to support myself in the future.
Middle age started young for me, my ladder was on the wrong wall and my dreams were never acknowledged. It took having a child with Down’s syndrome at 38 years old, to finally give myself permission to follow my dream. Having my son Blake was definitely a wake up call, I realized that I wasn’t getting any younger and needed to make this leap of faith.
Sometimes, you don’t need much to motivate you, when you reach this point. This wasn’t a hobby I was attempting, but something I took very seriously. I asked a good artist friend of mine, where to go from here, “What should I do? Do I have potential? Was I too old? Would people think I was crazy?’ I had the dream, but no idea where to start. She was a great support. She told me it was never too late, (my biggest fear, as well as being called crazy) and suggested I take a class at my local junior college. This one little acknowledgement and permission was enough to take me on my journey. We all need this support when we are moving that ladder. The ladder is a lot easier to move with two people.
I’ll end this with another favorite quote of mine of Joseph Campbell’s, said so eloquently.
“All the time. It is miraculous. I even have a superstition that has grown on me as a result of invisible hands coming all the time - namely, that if you do follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. When you can see that, you begin to meet people who are in your field of bliss, and they open doors to you. I say, follow your bliss and don't be afraid, and doors will open where you didn't know they were going to be.”
This is my thirty-ninth painting of my #paint52 challenge, medium Atelier Interactive Acrylic on vellum, measures 8" X 8", Title-"Gateway to Chinatown", price $175 plus Shipping and Handling. SOLD
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!
You Are What You Paint
How important is the subject matter you choose? A friend of mine trying to become a famous artist in Soho, said that every artist was looking for the next gimmick. Jackson Pollock was looking for that next big thing. He practically locked himself up in the barn at East Hampton, hoping to make that break through to become legendary.
Some artists are known for the subject matter they choose, Gauguin for his tropical paintings, van Gogh for his sunflowers, Willem de Kooning for his crazy looking naked women, Wolf Kahn for his beautiful trees and landscape, Cezanne and his famous mountain Montagne Sainte Victoire in the south of France, Degas for his ballet dancers, Monet for his garden paintings of Giverny, Soutine, obsessed with life and death celebrated and painted food, especially meat and Singer Sergeant know for his portraits; the list goes on.
Some are known mostly for a single painting, such as American-born painter James McNeill Whistler, who painted Whistler’s mother, Mona Lisa, by Leonardo da Vinci, The Scream, by Edvard Munch, American Gothic, by Grant Wood, The Girl With the Pearl Earring, by Vermeer (a book was even written about the inspiration of this painting), and Andy Warhol’s Campbell’s Soup Cans.
And still others are know for their style, their use of color, their craftsmanship, drawing ability, line, mediums they use, scale, etc.
I have painted many series, from horses, flowers, people, still life, etc, but I do believe that I will always be known for my color.
What do you think you will be known for?
This is my thirty-eighth painting of my #paint52 challenge, medium Atelier Interactive Acrylic on vellum, Title-When The Lights Go Out In the City, measures 6-3/4" x 9-3/4", price $175 plus Shipping and Handling.
*All art from Janet Vanderhoof’s Fine Art Gallery, maybe seen in Janet’s studio at Morgan Hill, CA. You may purchase through contacting my email jvander51@msn.com or phone (408) 460-7237. Thank you!